Sunday, August 9, 2015

Look

In memory of Alex Steddom
"If there are wolves in the woods
expect to see wolves;
and if there is God in this place
expect to see God."
~ Ann Voskamp

Why is it so surprising
when a sunset blazes red across the sky
and my throat closes because of the beauty?
Though it makes me gasp and tingle,
it's easy to see God there.

But when the last breath blows away a loved one's life
and my heart constricts and tears run hot because of grief,
there
right there
God seems a little out of reach.

It's hard to see a loving Father in the midst of the hot ugly messes
but
it's not impossible if you expect to see Him.

Look.

Friday, August 7, 2015

Counting Words

There's a lot of things in life one can obsess over . . .

  - Ben & Jerry's Chunky Monkey

  - Washing off all the creepy-crawly
     amoeba's that might be infesting
     your skin

  - The Coldplay Turtle vine

  - The threat of violence, famine, disease, yellow-throated booby extinction

But as an author, the one thing I notice lots of people obsess about is word count. I'm asked -- a lot -- how many words I write at a sitting, to which I most often reply, "It doesn't matter." Which, I admit, can sound a little flippant, but here's the deal . . .

It really doesn't matter.

There is no magical word count that makes you a rockstar writer. There's no number to validate you as a for-real author. And anyone who says otherwise is clearing wearing their baloney pants because that's what it is: baloney.

Write as many as you can, you little champion. If that means 200 at a sitting, then a palm-stinging high-five to you. If it's 2,000, then you get the same palm-stinging high-five. It's not how much you write that makes you a writer, it's that you write.

The comparison game is death. You don't need to write as many (or as little) words as me or anyone else on this planet. You are you. You do you. You be you.

You cute little writer.

Thursday, August 6, 2015

One Writer's Journey to Publication

Somebody emailed me yesterday asking about my writing journey, so guess what today's post is about. Yep. It's testimonial time, my writerly congregation. Get all comfy on your pew . . .

I started writing when I first discovered blank walls and Crayolas. My mom wasn't too happy about that. She wasn't too happy when I had imaginary conversations with Daniel Boone under the living room table, either, so she took me to the pediatrician to see what was wrong with me. He said I just have an overactive imagination. Yes! Score one for the fiction writer.

In junior high, while most hooligans were smoking cigarettes under the bleachers, I went to poetry camp and buried my nose in everything science fiction. Ray Bradbury was my best friend. Can anyone say geek?

In high school I finally found a friend . . . one who loved to write. So we wrote stories, back and forth, her writing one chapter to a cliffhanging ending, me writing the next.

Then I got married and had kids. End of writerly story. For years. Kids have a way of sucking the ever-loving life out of your bones. I lived in survival mode until they were older, and then I ran away from home. One night a week, that is. I ran to the library at first and started writing my very first manuscript. I didn't have a clue about writing but it was fun to let my imagination off the leash.

I sent out that manuscript because I didn't know any better. I learned that I needed to distinguish between showing and telling. I also learned that if I sat at Panera instead of the library, I could eat chocolate chunk cookies and drink coffee. Double score!

So that's where I wrote my second manuscript, keeping in mind the ol' showing vs. telling rule that I'd since learned, and that story was called Gallimore. It's still for sale on Amazon and at Black Lyon Publishing. It's a small, independent publisher, but was a great way to dip my toes into the world of publishing because they take unsolicited manuscripts.

I kept up those weekly one night stands for my second book, A Heart Deceived. By then I'd started a blog. Yes, this one. Lo and behold, out of the blue, an editor for David C. Cook read a few posts and liked my style, and oh, by the way, did I have anything to submit? Yeah. We're talking miracle material here, folks. They bought it.

It'd taken me a year and a half to write the dang thing, though. I figured if I were going to make any money at this gig, I needed to up my game. I did, by writing 4 mornings a week. Brentwood's Ward took me 10 months. By then I had an agent. She helped shop it around, but it was really a face-to-face appointment at the ACFW Conference that scored the sale on that one.

And that same editor is the one who offered to buy the book I'm writing now, which will release next fall.

That's the shortened version. I left out all the gory bits because hey, we live in a violent enough world as is, right? The takeaway value from today's post isn't that you need to start talking to dead actors under the table to begin your writing journey. The point is that if I can do it, heck, anyone can. It just takes a LOT of time and the gumption to keep writing when you don't feel like it.

Wednesday, August 5, 2015

Announcing . . .

THE CAPTIVE HEART
What is true freedom?
I hope you didn't pack away your wangdoodlers and floogbuglehorns quite yet. This is a summer to celebrate! Start banging away on your drums and crank up the ol' applause machine because . . .

**steps up to mike**
**blows super hard so that it hurts your ears**
**screechy feedback rips a hole in gramma's hearing aids**

Oops.

Okay, enough horseplay, and seriously, do horses really play? Like what . . . pinochle? I'm a city girl so I've never understood that one. But I digress.

Announcing

A NEW FREAKING BOOK BY YOURS TRULY
YES I AM SHOUTING
I AM FAIRLY EXCITED

Wait a minute . . . I should go change my pants.

Okay, now then, I just signed yet another contract with Barbour for a novel, due out some time next fall (2016). It's called The Captive Heart and here's the blurb:

Proper English governess, ELEANOR MORGAN, contracts to work for a rich Charlestown family, but when the man never arrives to make good on his promise, she must settle for what’s left—an offer of marriage to a man she’s never met. SAMUEL HEATH is a hardened survivor, used to getting his way by brain or by brawn. He will find a mother for his infant child. The trouble is who would marry a murderer? 

If you happen to be more of a visual learner and/or illiterate (though I suppose that's kind of a moot point because you wouldn't have gotten this far now, would you?), HERE's the Pinterest board.

So, I suppose I'd better quit this equine frivolity and get writing, eh?

Tuesday, August 4, 2015

Get Used to Fear, Kids

Yeah, I know. Fear is a negative word. A hateful word. And why am I such a hater?

Well, as much as I hate to break it to wannabe writers, the ugly truth is that fear is part of an author's life. It never goes away. Fears such as:

  • What if I what I'm writing is a steaming pile of literary manure?
  • What if I can't even think of anything to write today?
  • What if my sales numbers never pull out of the nosedive they're in?
  • Sweet mercy! Will I ever be able to lose the 10 pounds I just gained from sitting around writing my last manuscript?
  • What if my book simultaneously releases when Suzy Awesome Author's book comes out?
  • What if Ben & Jerry's discontinues Chunky Monkey?

And those are just a few. Here's the deal . . . writers are psychotic little rock badgers, all fidgety and tweaky. Why?

Because art is subjective.

Even to the artist. You may think that what you create on any given day is a masterpiece, then come back to it the next and have a little bit of throw-up in your mouth because you think it's just that awful.

But you know what? A small amount of fear is a good thing. It keeps you on your toes. It keeps your head from swelling. It gives you an edge, preventing complacency. Too much fear will keep you from producing anything, but just a smidge is the sweet spot, spurring you on to bigger and better projects.

So go forth, little writers, and embrace fear. Know that it's just part of the writerly game and that you're not the only one a little shivery at the knees.

Unless, of course, it has to do with Ben & Jerry's going out of business. Then all bets are off.


Monday, August 3, 2015

From Good to Great

Editing.

What's your response to that word?  Did you:
    A.)  Tuck tail and run for your wubby
    B.)  Smile so big your cheeks hurt
    C.)  Give a deer-in-the-headlights stare

If you want to take your manuscript from good to great, the only real answer is B. Editing is the name of the game, folks. Here's a handy-dandy checklist for what to look for . . .

Top 5 Tips For Polishing a Manuscript

Repeat Words or Phrases
Using pet words over and over is like an annoying fly nipping at your reader's tender flesh. Yep. It's that irritating. Read over the manuscript as a whole and highlight the repeat words, then ditch most of them.

Cut the Cliches
Cute as a button. The long and short of it. Ruby red lips. In a reader's mind, when you write these kinds of phrases, it sounds like this: yada, yada, yada. Why? Because they've been there, done that, dude. Insert fresh ways of saying things.

Look for Bugaboos
If you've got a pregnant character who still hasn't had their baby a year and half later, then you've got a serious problem. Watch for bugaboos like this and fix them.

Share It
This is a good time to package up your little darling and send it off to a trusted first-reader, someone other than your mom, someone who will be brutally honest.

Cut the Fat
Zero in on where there are paragraphs of description, then weed them ruthlessly. Delete sentences that say the same thing but in a different way. Saying something once is enough. Your reader isn't stupid.

Editing is the most important step in making your manuscript publishable. Don't skimp on this step. Take the time to go through your novel several times, word by word. That's what will make your writing stand out from the rest.


Sunday, August 2, 2015

Happy

I often feel guilty when God gives me what I want,
like enjoying what is good is somehow decadent,
like laughter is wasting time
when I should be working
or meditating solemn over Scripture.

Where did this broken image of God come from?

True, He is  God of wrath for those who don't bend the knee,
but He's also the wielder of lavish grace and mercy and love.
The one who made lips to smile,
and eyes to leak out happiness.

And if I take the time to listen hard,
I can hear Jesus whisper,
"You being happy in the things God gives
makes me very happy."
 
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